Legacy Investment

Collecting Fine Art can become a long term legacy that serves a family well for many generations


Purchasing art from a perspective of being informed about and moved by the work of an emerging or enduring artist, whose work has some investment value, is the best way to purchase existing art or commission a custom created piece. Whenever a person decides to become an art collector, they need to decide if they want to simply own pretty pictures or if they are interested in building an actual legacy of high caliber Fine Art for their family that may be enjoyed and increase in investment value for generations to come. The approach is very different. There is nothing wrong with simply buying what you like, but if you do that, you may not be purchasing quality work or work that will last without fading or from an artist whose work is likely to have enduring value. Such “bargains” will likely never be worth more than the mass produced decorations that you can purchase in the grocery store. Such art will not grow in value, will not last and therefore has no investment value at all.

All my art meet the highest of industry standards


  • My artwork is archival, even reproductions. Archival level creations have actual Fine Art value for the long haul as it is created free from chemicals or processes that may cause the work to disintegrate, yellow, perforate or become brittle, cracked and faded over time. Reproductions will last up to 100 years (or even more) without fading and original pieces may last for several hundreds of years without fading if proper care, installation, transportation and storage instructions are followed. Only high quality art supplies and surfaces are used – work is created on high quality surfaces, using high quality art supplies that are durable and sturdy if handled and cared for correctly.
  • Over the last decade alone, my collectors have been well pleased as they watched their investments grow exponentially in monetary value. Increase in the monetary value of Fine Art is determined by supply and demand, by the proficiency of the artist within their industry and can easily be verified by looking up the current pricing of my work, compared to sales of similar work at the time of purchase.
  • Ethical art making practices are followed – from the supplies used for creating a specific piece to any creative methods applied, as far as possible, paint, surfaces and such are obtained from sustainable sources, mostly made in the USA or Europe to ensure high manufacturing standards and no animal or human rights are violated in how Avianne creates her art as far as Avianne can prevent or possibly know it.


A portion of all my proceeds are donated to Wildlife Conservation. You can read more about this aspect of my work by going to Avianne International. Investing in Fine Art created by me is a wonderful opportunity for any Fine Art collector to add value to their collection.


I create a variety of Fine Art options for my collectors to choose from:

  • Original Fine Art – previously created and / or currently being exhibited
  • Commissioned Fine Art – original art, custom created upon request
  • Archival Quality Print Reproductions – high end replicas of originals on paper or stretched canvas

Original Fine Art


I create art on an almost daily basis. The only way for an artist to evolve is to remain in the studio and creating as much as possible. To remain authentic to my own voice, I consistently create Fine Art that speaks to me and is part of my own, personal creative journey and professional repertoire. These works are usually made available for sale at physical locations and / or on-line.


You can view these works and contact Avianne about any purchases or commissions you might be interested in by going to Avianne’s Digital Portfolio. These artworks will be professionally packaged and shipped to the collector and come with their own, individual authenticity certificates.


If a piece you favor gets sold before you can purchase it, Avianne can create a similar piece for you as a commissioned art work or you can purchase a limited edition giclée of the original piece (if any are available).



Commissioned Fine Art


Sometimes a collector, designer, architect, or private client with a personal vision, would love to have a piece of art created in a specific way, with specific dimensions or with a specific theme, cause, style, subject or even color coordination in mind.


Commissions often involve portraiture, modular art panels, corporate abstracts or work created as part of a larger architectural, corporate, branding or interior design style.


These works are sometimes limited in size due to weight restrictions for installation purposes or for logistical restrictions, but most of the time, there are few limits to what is possible.


Please contact Avianne to discuss your vision for a commissioned art piece.


Archival Quality Reproductions


A reproduction of my work is in essence a high end replica of an original art work which could be far more affordable than the original work as they are usually produced in a variety of sizes (relating to different pricing options) and not as time consuming, unique or expensive to create as an original.


Artists often sell replicas of their work, but unfortunately, many replicas are pretty worthless as art, because they are not produced in a sophisticated archival way, using archival ink. A well created print, digital or otherwise, retaining some intrinsic artistic value, must be produced in very specific ways in order to have artistic value.


All my prints are produced professionally by experts in the industry, following the highest of industry standards to ensure that the reproduction captures the original work’s essence, colors and presence as authentically as possible.


If you are interested in seeing if there are any reproductions available of your favorite Avianne drawing or painting, contact Avianne.

Ethical Excellence

Ethical art making is something I have progressively implemented in my studio and will continue to make strides on as new and more optimal ways to do so become accessible to artists


It is my goal to always provide my collectors with the most incredible results. It all begins with using great, high quality and ethically sourced supplies. Not all art is created equal, but that does not only pertain to supplies and methods used to create the actual art. It also pertains to where and how supplies are manufactured and mindful practices regarding the environmental impact and sustainability of art making processes and practices.

Quality Control


Art supplies getting into the hands of artists all over the world, rely heavily on testing, development, shipping and also manufacturing. Today’s artists in the Western world do not produce their own pigments, paints, brushes, graphite, canvas and other supplies the way it was done hundreds of years ago. Some companies that produce art supplies are often looking for ways to cut supply development and manufacturing costs. Sometimes that means, unfortunately, that less than stellar practices by developers and manufacturers of these supplies are being followed, resulting in low quality art supplies that will not produce the high caliber art you may think you are paying for.


This is why I use supplies I can verify the quality of as much as possible. Art supplies that are produced by companies in the USA, Canada, Australia, and Europe are generally at least held to a far higher standard than most in terms of quality, lightfast pigments and not including too many harmful carcinogenic ingredients. Health and safety standards are enforced by law. These art supplies are mostly being manufactured by ethical companies, using ethical practices in their development and manufacturing processes.


If you care about quality, health and safety, you can always ask the artist about the archival quality of their work, where their supplies are being created and if they use any toxic ingredients in their art making.

Mindful and Sustainable Art Practices



Many art buyers do not realize how the environment (as well as many people and animals) are being exploited in developing and manufacturing the supplies that are often being used in creating the art they buy.


I am on a mission to, as far possible, to rid my studio of art products, supplies and equipment that are developed, produced or manufactured in countries or factories where sustainability, human rights violations, animal rights violations and environmental impact cannot be known. Starving art students or emerging artists, even famous artists, do not always ask themselves the question: Is my choice of supplies and artistic processes really optimal for the planet and for respecting the dignity and well-being of humans and animals?


I am thoughtful about where supplies come from and how they are used and disposed of.  Who processes these ingredients? Are companies responsible for how they source these ingredients? Is some poor kid in a third world country paying a tremendous price just so that I can paint with a certain color or buy a cheaper canvas? Is a tree dying somewhere in a forest, never to be replaced, displacing animals, just because I prefer a certain type of drawing paper? If I pour this chemical down the drain, am I contaminating water sources?

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Humanitarian Rescue and Wildlife Conservation


It is a deep passion of mine to personally advocate for local wildlife and beyond. I link my art practice directly to conservation. 10%-20% of all my profits, derived from conducting business of any kind, stretching from instruction to art events to art making, are donated directly to the rehabilitation, conservation and care of endangered and at risk animals as well as supporting efforts to raise awareness, change policies and hearts regarding the conservation of these animals and issues relating to saving them from often deadly encounters with humans who may be ignorant about them. Organizations I have supported over the years and will support moving forward include, but is not limited to:


Proudly Made in the USA


I create all my art from my home studio in the United States of America. From top notch colorfast pigments to techniques that prevent cracking, yellowing, or fading of art, all my collectors, dating back many years, can rest assured that when they purchase art from me, their Legacy is in tact as their art, if properly cared for, will last several lifetimes.


When you support an artist who practices mindfulness in this regard, who purchases art supplies that are manufactured in the USA or Europe, rather than from an unknown, unregulated source, you are exponentially supporting quality art supplies being developed and produced in ethical ways.